Cathedral of Saint Paul, Worcester, Massachusetts

Founded in 1869, the Cathedral of Saint Paul has served as the mother church of the Roman Catholic Diocese of Worcester since 1950, when the Diocese was established in the city. Its current grand structure, built in the Gothic Revival style, was designed by Elbridge Boyden & Son and completed in 1874. Important events within Saint Paul’s life are narrated within ten monumental stained glass windows located in the sanctuary and nave. The Cathedral of Saint Paul was placed on the National Register of Historic Places in 1980.

Saint John the Baptist Church, Brunswick, Maine

Founded in 1877, Saint John the Baptist Church was created to serve the French Canadian population in Brunswick and the surrounding area. Designed by Charles R. Greco of Boston, Massachusetts, the church’s current Gothic Revival style structure was completed in 1927. Of particular note are the murals by Giovanni Prampolini depicting Christian symbolism and iconography that reside on the walls and ceiling of the sanctuary. The stained glass windows designed by Zettler Studios of New York complement the paintings, illustrating symbols and stories from the New Testament. The parishioners of Saint John the Baptist Church take great pride in their church, as it “represents the commitment, faith, generosity, and hard work of generations of Catholic people from the greater Brunswick area.”

St. John’s Catholic Church, Worcester, Massachusetts

Established in 1834, St. John’s Catholic Church is the oldest Catholic church in Worcester. Its current structure, designed by architect P.W. Ford in the Greek Revival style, was built in 1845 to house its 2,000 parishioners. Inside, however, the sanctuary is designed in the Romanesque Revival style with its notable simplified arches. The Church’s spiritual mission is “to combine the corporal and spiritual works of mercy and daily acts of charity for all”. Since its earliest days, St. John’s has reached out to serve the poor. With providing such programs as free meals to more than 1,000 people monthly, it is evident that the parishioners’ charge has not waned from its beginnings.

Cathedral of Saints Peter and Paul, Providence, Rhode Island

With roots that date back to 1832, the parish of the Cathedral of Saints Peter and Paul, the mother church of the Diocese of Providence, celebrated its first mass in 1838 in what was then a modest church on the same location. In 1847, the church was promoted to “cathedral” when Providence became an independent diocese. From the designs of Irish-born New York church architect Patrick Keeley, plans to build a monumental cathedral began in 1878 and the Cathedral was consecrated in 1889. Its Romanesque style exterior, built of Connecticut Brownstone, graces the Cathedral’s facade, while the interior is distinctly Gothic. The ornate sanctuary, lighted in-part by large illustrative stained-glass windows, has a high, pointed arch, wooden roof and marble walls and floors. The Cathedral of Saints Peter and Paul’s intentional grand scale and placement within the community reflects the significance the Roman Catholic faith has in Providence.

St. Mary’s Church, Newport, Rhode Island

Established in 1828, St. Mary’s Church is the oldest Catholic parish in Rhode Island. Designed by noted church architect Patrick Keely along with clergy, this brownstone Gothic Revival style structure was completed in 1852 to meet the spiritual needs of Newport’s growing Irish population. With the sanctuary’s 42 stained glass windows, ornamental woodwork and vaulted wooden hammered beam ceiling, one may certainly bask in the beauty and grandeur of the interior, which can elicit a desire to contemplate the teachings of Jesus Christ.

Our Lady Queen of Peace, Boothbay Harbor, Maine

Providing a haven for the Catholic community on the Boothbay Peninsula, Our Lady Queen of Peace has been home to year-round residents as well as seasonal visitors since its dedication in 1926. Its founding parish was a historic mix of immigrants, artists, servants, fishermen, merchants and builders. Stained glass windows honor many of the early families who nurtured Catholic presence in the region.

Inspired by the reliance upon the surrounding sea, its interior takes the shape of an inverted ship’s hull, a symbol of protection. Our Lady’s prominent location near the water provides not only a magnificent view of Boothbay Harbor, but also serves as a beacon for sailors, fisherman and the surrounding community.

St. Joseph’s Co-Cathedral, Burlington, Vermont

Founded in 1850, St. Joseph’s Co-Cathedral is the first French-Canadian national parish in the country, established to serve the spiritual needs of French-speaking Canadian Catholic immigrants. Growth of the congregation and emigration into what is now known as Burlington’s Old North End neighborhood fueled plans to build a new church. Designed in 1883 by Rev. Josep Michaud, a self-taught architect from Montreal, the new church was designed in a grand Baroque style that bears a resemblance to a chapel built under the reign of King Louis XIV located at the Palace of Versailles. The new structure took four years to complete, relying greatly upon the construction labor and financial sacrifices of its parishioners, many of whom were of modest means. Dedicated on Easter Sunday in 1887, St. Joseph’s remains the largest church in Vermont with the capacity to seat more than 1,200 worshipers.

Our Lady of Good Hope Church, Camden, Maine

Declining work at her employers’ summer cottage in Camden unless she and fellow Catholic staff could attend Sunday mass, the devotion of domestic worker Mary Molloy is remembered to have incited the 1911 construction of Our Lady of Good Hope. Along with the pioneering Catholic families of Camden, her charitable employers, the Albert H. Chatfields of Cincinnati and other summering families united to build the first Catholic Church in Camden. Although Ms. Molloy did not live to see the Carpenter Gothic style church built, she was cherished as the first service remembered her with a high requiem mass.

St. Patrick’s Church, Newcastle, Maine

Perched on a hill near the Damariscotta River resides St. Patrick’s Church, the oldest Catholic church in continual use in New England. Completed in 1808, St. Patrick’s was designed by Irish architect Nicholas Codd in the Federal style and houses a bell forged by Paul Revere himself.

Much like the turmoil that occurred during the Revolutionary War, the township of Newcastle fought its own battle when an anti-Catholic sentiment swept the United States in the mid-19th century. Friendship between Newcastle’s Catholics and Protestants saved the church from arson in 1854. The community staved off the mob; no lives were lost and St. Patrick’s survived.

The church, which is constructed of eighteen inch thick brick walls, achieved its founders’ goal of constructing “a good brick church”—unintentionally emblematic of the strong community which it has served for over 200 years.