“Cultural Heritage and Spectacle: Painted and Digital Panoramic Re-Presentations of Versailles” Essay Published

Detail of John Vanderlyn’s Panoramic View of the Palace and Gardens of Versailles, 1819 (top) and Detail of Google World Wonders Project (Palace and Park of Versailles), 2012 (bottom). Image capture: Seth Thompson.

Detail of John Vanderlyn’s Panoramic View of the Palace and Gardens of Versailles, 1819 (top) and Detail of Google World Wonders Project (Palace and Park of Versailles), 2012 (bottom). Image capture: Seth Thompson.

My essay entitled, “Cultural Heritage and Spectacle: Painted and Digital Panoramic Re-Presentations of Versailles” has recently been published in Streetnotes: Ethnography, Poetry and the Documentary Experience (Volume 25).

For an overview, here’s the journal article’s abstract:

By comparing and contrasting two panoramic projects of Versailles, one being a painted panorama by John Vanderlyn (1775-1852) completed in 1819 and the other, part of Google’s World Wonders Project launched in 2012, this paper will examine the notion of heritage as a tangible entity, experiential consumable, and identity maker, and show how heritage sites and the panorama (both painted and digital) act as a spectacle that seeks to fulfill the needs and desires of its visitors to consume past and present cultural landscapes.

If you would like to read the essay, please visit:
http://escholarship.org/uc/item/339598d3

Thompson, Seth. 2016. “Cultural Heritage and Spectacle: Painted and Digital Panoramic Re-
Presentations of Versailles.” Streetnotes: Ethnography, Poetry and the Documentary Experience (Volume 25): 353-365. url: http://escholarship.org/uc/item/339598d3. Published Online: November 3, 2016.

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